Nothing Special about Special 26
Must be amongst the most predictable ‘unpredictable’ film
ever. If you’ve seen the promos, well you know most of it. Neither does Special
26 have the grandeur of other heist series like Dhoom or Race,
nor does it have the sexiness quotient of a very similar 2002 film ‘Aankhen’
or even the ‘hits-you-like-a-bullet’ unexpected twist of ‘A Wednesday’.
Yes Special 26
does climaxes into an ‘unexpected twist’ towards the end. However, it’s kind of
too tame and another of those expected ‘unexpectations’ to shake you from your
slumber. On the whole, it’s a neat flick that keeps you engaged with a very
competent cast (Anupam Kher and Manoj Bajpayee are superb!) ,
interesting premise, period settings of the 80s-era, a high-octave background
score (again very reminiscent of the 80s with trumpets and all) and one
absolute fab chase sequence!
However, there are far too many dampeners to dilute the kick
of this ‘could have been supercool’ heist fiesta. To begin with is the dull,
tepid and extremely lacklustre romantic track that sticks out like a sore
thumb. An absolute unnecessary distraction that does nothing more than killing
the nicely built-up momentum on many key occasions. Couple that with a ‘dumb as
dumbbell’ female lead like Kajal Agarwal
(of Singham
fame) and what you have is the dreariest romantic track in recent times. Akshay
Kumar too looks the most uninterested and uninspired in this part of the movie
and it shows. Zero chemistry out here!
But then, you were never promised a heart-tugging love story
in Special 26. So then why to
complain? The issue is ‘Yes Exactly!’ Special
26 was meant to be a thrill-a-minute chor-police adventure to keep you on
your edge-of-the-seat throughout. What then was the burning necessity to bog it
down with an uninspired romantic angle? Why can’t even the most sorted of film
makers like Neeraj Pandey keep it
single-track and avoid the whims of the box-office. Another Akki-starrer ‘Oh
My God’ avoided any romantic distraction in recent times, and was a
huge success at that!
A romantic angle increases the box-office prospects of a
movie, increases the face-value in the posters and gives it a more broader
audience base, right? In this case, absolutely wrong! A romantic track over
here, which is further dragged by a rank bad actress, does exactly the
opposite. Time and again, it crops up needlessly with those soft and boring
so-called silent-love scenes and punctures the pace.
Another complaint is the thinking-man’s Akshay Kumar. Yes, it’s good to go on a ‘acting’ mode once in a
while, establish your credentials as a fine actor and wash away the sins of
brain-drainers you are normally associated with. However, it makes little sense
when you go completely against the grain and don’t even attempt to cash-in on
the strengths of your persona. At time it suffocating to watch an otherwise
energetic Akki without a single chase (which could’ve been there) or an action
scene (which definitely could’ve been there) to top-up the entertainment
quotient of the movie. So in a nutshell, the movie depicts its biggest
commercial trump-card, Akki in certain things which he should definitely not be
doing (like puppy romance) rather than certain things which he should definitely
be doing (action). The songs (despite
there being just a couple of them) test your patience and further slows down
this already slowing thrill express.
To sum it up, a major part of Special 26 is spent on building it up nicely for the final heist.
But somehow, all of it doesn’t quite add-up in the final reels. It definitely
ends well and smart, but not with the ‘Oh God Damn!’ kind of feeling that
gripped you post ‘A Wednesday’. It’s more
like a Manoj Night Shyamlan trying
too hard to bring in that sixth sense-kinda unbelievable twist in all his
subsequent films. But still, always
falling too short to match-up to the sheer ‘Oh My God-ness’ of the first time
he did that in Sixth Sense.
In the end, Special
26 is a decently thrilling and entertaining film. But at the same time, it’s
a mixed-bag of many missed opportunities of what it could have been. Definitely
a bit more tighter, a bit more unpredictable. If the makers can still edit-out those
Unspecial 26
minutes of icy-cold romance, it still might become a more saucy and
special flick!
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